As soon as I saw those words on a seafront poster advertising the show at Bexhill’s De La Warr Pavilion this was on my list of gigs to see this month.
There have been ongoing and fairly ferocious spats between the Zappa siblings about how they take forward their late father’s legacy.
And with admirable chutzpah from Dweezil this is being billed as ‘The Cease & Desist Tour’ following the lawyer’s letter he received.
Performing to a packed-out De La Warr, the performance is a vivid reminder of what a fantastic range of musical styles and influences Frank Zappa incorporated into his output, as well as what a fantastically accomplished writer and musician he was.
From perfectly polished orchestral pop pastiches, to improvised jazz rock work-outs, to exquisite blues rock guitar solos the versatility of Dweezil and his band is truly impressive.
Of particular note, alongside Dweezil Zappa’s beautifully dexterous guitar playing and obvious love for his father's music, are guitarist/lead vocalist Adam Minkoff, who has joined the Zappa band for this European tour, and female lead vocalist Cian Coey, who delivers some truly stunning vocals.
Set-wise, it being the fiftieth anniversary of the release of ‘Freak Out’, the debut from the Mothers of Invention, songs like ‘You’re Wondering Why I’m Here’ make an appearance, alongside later material like ‘Cruising For Burgers’ and ‘Studebaker Hoch’ as well as surprises like a wonderfully smooth rendition of the James Bond theme.
There is no support tonight. Save for a short interval it’s just three exhilarating hours of Zappa. Climaxing with an inspired rendition of the Beatles’ ‘I Am The Walrus’, the audience are up on their feet for a rapturous standing ovation.
Band and audience alike seem very pleased with their evening spent in Bexhill.
Succumbing to cancer in 1993, Frank Zappa was an early reminder of the mortality of that generation of musicians from rock’s late 60s/early 70s golden age.
Such deaths are now reported with alarming regularity, of course. But whether it’s Zappa, Bowie or any number of rock ‘n’ roll’s true creatives, legitimate questions do arise about how we continue to celebrate their respective legacies.
While few of us would opt to be stuck in an endless repeat cycle of non-stop tribute acts (or, God forbid, hologram shows) we do clearly want to find ways of continuing to enjoy such music in a live setting. In this respect, Dweezil has put together something that is creative, ambitious, affectionate and totally appropriate.
Dweezil Zappa does indeed play whatever the f@%k he likes. But he plays it so well.
And he does his father proud.